First things first, the word “progressive” is an adjective that gives some quality characteristics to the noun. In music, the words like this were introduced to describe a certain mood of the genre, for example:
Deep - House
Hard - Techno
Uplifting - Trance
Progressive - Psy
Eventually, these words became part of the genre names, but their original meaning hasn’t changed.
Talking about progressive specifically, it gives a sense of... well, you guessed it, — progression. Whereas in some other genres you just want to skip forward and finally listen to “that drop”, in Progressive music that sense of progression and immersive building-up is the goal itself. It’s very consistent, often with no climax or big emotional peaks which other genres typically have.
And the difference is not only in aesthetic. In progressive music, a sequence (whether it be a melody or, let’s say, a pad) lasts much longer, sometimes it can go pretty much the entire track duration as the opposite to non-progressive music which typically changes sequences every 16 or 32 bars.
Before we get into Progressive Psy, let’s take a look at some progressive examples in other genres first.
This is a proper Progressive House:
ID — ID
Rise and Fall — Second Chance (Luke Porter Remix)
Dmitry Molosh — Delirious (Original Mix)
See how smooth and straightforward these tracks are? If you just scrabble through you might think that nothing really happens in these tracks, it’s just the same loop keep going. But if you listen carefully from start to finish, you’ll notice how one layers builds-up over another, how it all sums up together in a mesmerising experience. This is what Progressive is all about.
Now let’s take a look at more trancy examples:
Cosmithex — Shipment (Original Mix)
Atmos — Into The Groove (Original Mix)
John 00 Fleming — Mustang (Relaunch Remix)
I intentionally put so different tracks here. As you can hear they vary in tempo and rhythmic patterns, however, each of these tracks has a clear sense of progression and slow build-up over time.
As we approaching Psytrance territory, let’s take a listen to some older iconic tracks that widely considered as the roots of the Progressive Psy subgenre:
Ace Ventura & Liquid Soul — Psychic Experience (Original Mix) 2007, 135 BPM
Funky Dragon — Full Moon (Original Mix) 2005, 135 BPM
Beat Bizarre — Milk Tooth (Original Mix) 2005, 135 BPM
And here is some proper Progressive Psy of the present days:
Protonica — Subground (Original Mix) 2012, 135 BPM
Zyce — Apollo 13 (2016 Mix) 2016, 137 BPM
Funky Dragon — Future Race (Original Mix) 2017, 138 BPM
As you can hear, the production quality certainly get better over the past decade, and Progressive Psy as a subgenre has evolved becoming more dancefloor-focused. But the thing is, it still has the same smooth and straightworad progression just like the older Progressive Psy of the 00’s and just like both Progressive House and Progressive Trance. And that’s the key point.
On a contrast, here is what many people tend to believe Progressive Psy is:
Arhetip & Lyktum — Soul Awareness (Original Mix) 2015, 138 BPM
Vertical Mode — Lazer Shot (Original Mix) 2012, 136 BPM
Zentura — Sonic Masala (Lifeforms Remix)
You probably realise by now that this is not Progressive despite it share a similar tempo range and even the same driving bassline. The last track above might be especially tricky because it’s a remix of a Progressive tune, but don’t get confused: that climax by the end clearly puts it out of the Progressive territory.
Psytrance like this usually has much more prominent leads and overall more “occupied” sound spectrum with filtered leads, textures, acid riffs, one-shots, and special effects. Also, Psytrance typically has more beat interruptions, transitions, and breakdowns; one lead can start and in 16 bars after a totally different lead might come instead.
I hope now you see the difference that simply because a track has 136 to 138 BPM it doesn’t automatically put it into Progressive area.
I call everyone to love music regardless of its genre name, but since we have to use some names for our verbal and written communication with each other to describe music, let’s use the right names then.